About

AUTHOR: DR PHOEBE C. LINTON

I am an early career researcher and tutor in English Literature at the University of Edinburgh, with interests primarily in medieval and early modern courtly romance, gender studies, and the history of emotion. My PhD was undertaken at the University of Edinburgh from 2012-16 and supervised by Dr Sarah M. Dunnigan and Dr David Salter. During my doctorate I explored representations of women in medieval European literature from the period c. 1100-1600. I condensed my findings in a thesis and case-study of three queens in a fifteenth-century romance by Sir Thomas Malory, known as Le Morte Darthur. This thesis was titled ‘Female Space and Marginality in Malory’s Morte Darthur: Igraine, Morgause and Morgan’ and challenged two prevalent assumptions about female agency. Firstly, that marginality is primarily a position of disempowerment, particularly for women. Secondly, that marginal figures are inherently subversive. I intend to continue exploring the relationship between marginality and empowerment in future research, through the translation and analysis of Le Roman d’Escanor, a thirteenth-century romance commissioned by Eleanor of Castile, queen of Edward I of England, in c. 1278. A full list of my research activities and interests to date can be found on my Academia.edu profile and any queries may be sent to romandescanor@gmail.com.

PROJECT: LE ROMAN D’ESCANOR

In c.1278 Eleanor of Castile ambitiously commissioned an extensive Arthurian romance in French verse to be written by Girart d’Amiens: Le Roman d’Escanor. As a Castilian princess, Eleanor was born to the cultural heritage of medieval Iberia, or Spain. However, upon her marriage to King Edward I in 1254, she officially adopted the traditions of England. In the thirteenth century, the English aristocracy still consisted predominantly of families who descended from the Norman social elite, meaning French was in fact the first spoken language in English courtly society and the primary written language of its entertainment. Thus, by commissioning a text in French, Eleanor was intentionally emphasising her links with France. In effect, Eleanor was attempting to appear ‘English’ by being ‘French’, though she was considered as foreign by both nationalities. Ultimately, in Escanor Eleanor was responsible for the creation of a hybrid work that simultaneously belonged to not just one but three European literary traditions: English, French and Spanish. Throughout her life, Eleanor was an avid reader and collector of literary texts and shared a love of Arthuriana with Edward.

This is a work-in-progress blog devoted to exploring Escanor as a literary text and its significance as a commentary on contemporary society, gender and politics. In the first instance, my primary aim is to track the progress, problems and discoveries encountered during my gradual translation of the text into modern English. Through posts discussing textual excerpts, the process of translation, medieval studies, modern retellings and much more, I aim to further knowledge of Escanor for the benefit of the wider community of readers and researchers interested in medieval texts and retellings of such stories as we find in them. It is my hope that, in time, this will develop into a bilingual discussion and further the sharing of resources across disciplines, both within and without academic scholarship. To this end, over time I will provide translations of older French material on Escanor such as nineteenth-century introductions, analytical articles, and reference book entries. More broadly, my longer-term aim in researching this text is to explore its literary, book historical and political significance within a European context.

Leave a Reply

Please log in using one of these methods to post your comment:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s